Fade in:
Three ways in. Serious inquiries only. If you came for a PDF menu of packages, the exit is behind you.
MARTIN
(warm, firm)
For submissions, use the authors page.
Please don't cold-call about your story. I like you already; let's keep it that way.
Scene 01
A rights holder enters with something worth placing. Martin does not reach for a rate card. There isn't one on the wall.
Anyone with rights worth placing. Publishers with catalogues to place. Agencies that need a partner. I shop rights across publishing markets and media deals.
MARTIN
(the point)
A partner who sells the work — not shelves it.
Scene 02
A slate. A hunger. A pile of PDFs that could bury a lesser man. Martin does not deliver a dump truck.
Producers & directors. Short, focused scouting engagements for companies and directors with a defined slate. I dig into manuscript piles and catalogues tailored to what you're actually hunting — then hand back a curated shortlist, not a dump truck of PDFs.
MARTIN
(the point)
A shortlist matched to your slate.
Scene 03
The story is ready for screen talk — clear structure, clear audience. No process brochure. No fog machine.
Publishers & selected authors. Exclusive media representation when the story is ready for screen conversations. Clear structure, clear audience, prepared for development rooms — without turning the website into a process brochure.
MARTIN
(the point)
Options and packaging conversations that start clean.